Analysis of The Cloud” By Percy Bysshe Shelley - Free Essay Example

Sample details Pages: 5 Words: 1549 Downloads: 9 Date added: 2019/10/10 Did you like this example? The cloud by shelley, is a poem that uses the first person point of view in its narration. In the poem, the clouds give rain, snow, hail, moistures and provide shades. It is guided by thunder and lightning through infused electricity. Don’t waste time! Our writers will create an original "Analysis of The Cloud† By Percy Bysshe Shelley" essay for you Create order Beams spread to over sky when the rising sun is covered by the clouds. When the wind removes the cloud cover, the stars and the moon gets reflections from the water bodies (Liu, Xiaochun, 54). In general, the poem is a vivid description of the water hydrological cycle. The title of the poem in itself is a metaphor that the poetess intends to communicate to the reader, about the dynamics of nature. Shelley explains vividly about the functioning of the water cycle, while placing the cloud at the center and personifying it with human capabilities to make the poem look alive and actionable (Liu, Xiaochun, 54). She makes the clouds to resemble a minor divinity by describing its non-terminable continuity. The cloud, a poem by Shelley, obtained from (Shelley, Percy Bysshe, 28), makes use of different description of colors, size shapes, texture, sunlight, darkness, and movement of the clouds, whiles relating abstraction objects to concrete features. The theme of the poem is the hydrological cycle and its resulting water system. This paper presents a discussion of the different figures of speech and the use of imagery in the poem to create vivid images of processes and features in the poem. In the first stanza, the cloud takes the credit of bringing fresh showers and quenching thirst flowers. Here, the reader is made to imagine of the goodness of the cloud. One can figure the looks of the thirsting flowers and the feeling of thirst. Thus, the poetess appeals to the senses of both sight and taste, especially when she talks about the seas and stream. Any reader will imagine the difference between the seas and the streams as the size of the water body, hence, the size. Another appeal to the sense of sight in the poem, includes the phrases such as â€Å"light shade† (line 3), where the poet implies the intensity of the shade. The phrases: â€Å"whiten the green plains,† â€Å"the snow,† â€Å"pillow white,† â€Å"Lightning,† and â€Å"Heavens blue smile†, appeals to color and thus sight of the reader. These phrases have been applied in the vivid description of the different objects and processes in the poem, to give the reader a clearer image. The poem has also qualified many objects as concrete through giving the color, behavior, and texture. For instance, the lines: â€Å"From my wings are shaken the dews that waken† (line 5), â€Å"rocked to rest on their mothers breast†, (line 7) â€Å"lashing hail† (line 9), and â€Å"With hurricane, fire, and snow† (line 10 , stanza 5), makes the reader to imagine the nature of the particular features. The reader can also assume the texture of the objects, thus, appealing to the sense of touch. The poem creates a strong visual imagery by referring to the sunrise as sanguine† and describing its reddish color. The poetess has mentioned thunder twice. For example, in the last line of the first stanza, the cloud is personified to laugh and pass in thunder. This makes the reader to imagine of ‘walking’ and the voices of laughing or the strange voices of a thunder. These present the reality of the water cycle system that involves similar thunders and lightening as described. The line; â€Å"And their great pines groan aghast† (line 2, stanza 2), suggests the effects of the thunder on the snow, and mountain below the clouds.   Aghast is a suggestion of shock and horror which may imply the effects of thunder striking. This line makes the reader imagine of the intensity and the force of the thunder, thus, appeals to the sense of hearing. Thunder has been mentioned again in the seventh line of second stanza for more emphasis. Line 9 of stanza one says, â€Å"I wield the flail of the lashing hail,† thus, suggesting that the clouds were moving in a violent and in a convu lsive way. Elsewhere in stanza two, the poem says  Ã¢â‚¬Å"Over the rills, and the crags, and the hills† (line 130) â€Å"Over the lakes and the plains â€Å"(line 14) The two-line suggest the texture of the size of the cliff (crag) and the size of the streams (rills). This appeals to the sense of sight and a touch of the reader. Stanza four contains the phrases such as: â€Å"Glides glimmering oer my fleece-like floor† (line three), â€Å"tents thin roof† (line 5), â€Å"and I laugh to see them whirl and flee†, (line 9), â€Å"wind-built tent’ (line 11), and â€Å"Like strips of the sky† (line 13). These phrases suggest the looks and the texture of the respective subject nouns, to the reader. They make the reader to develop the relative images of the nouns in the correct colors and shape dimensions. They appeal to the readers’ sense of touch and sight. Another example of appeal to senses is when the poem says â€Å"his burning plumes outspread†. As the reader thinks of the fire, one can imagine of the odour that comes out of a burning arrangement of feathers, thus appealing to smell.   The appeal to senses integrates the reader with the real experiences of the nature of water cycle. Further, in the last line of the stanza 3, the poem appeals to emotions of the reader when he uses the simile saying â€Å"As still as a brooding dove† thus, suggesting the deep thought about a sad, angry, or worried situation. Other uses of simile to appeal to the understanding of the reader and make the poem more vivid includes the use of â€Å"Like a swarm of golden bees† (stanza 4, line 10), â€Å"my fleece-like floor† (stanza 4, line 3), â€Å"Like strips of the sky fallen†¦Ã¢â‚¬  (stanza 4, line 13), â€Å"with a bridge-like shape,†, (stanza 5, line 5), and â€Å"I hang like a roof,† (stanza5, line 7) among several others (Shelley, Persy Bysshe, 34). Shelley even integrates the use of simile in a rhythmic flow to make an interesting flow in the poem and thus create an appeal to heartbeat voice of the reader. For instance, in the second last line of the poem, she says â€Å"Like a child from the womb, like a ghost from the tomb† t hus suggesting a course of the real actions to the reader. More to the similes and personification discussed above, the poem has a range of metaphor. Remember a figure of speech is the manipulation or repetitive use of phrases or words in a distinctive way, with the aim to create a certain desired results in a writing.   The several uses of metaphors include† Build up the blue dome of air,† â€Å"million-colored bow,† â€Å"he moist Earth was laughing below,† â€Å"dances about the sun,† â€Å"wield the flail of the lashing hail,† â€Å"And laugh as I pass in thunder† (Shelley, Persy Bysshe, 34). Actually, most of the personification of the cloud can be taken to be a metaphor. Anaphora has also been used in the poem. The pronoun I have been used at the beginning of several lines and stanza to create a uniform rhyme and a beat of flow. The word ‘over† is used at the beginning of two consecutive lines in the second stanza. The phrases: â€Å"flail of the lashing hail,† â€Å"fresh showers for the thirsting flowers,† â€Å"Over the rills†¦ and the hills,† â€Å"l the while bask in Heavens blue smile,† â€Å"back of my sailing rack,† â€Å"on the jag of a mountain crag†, and â€Å"the crimson pall of eve may fall† among several other contains a systematic use of Assonance (Shelley, Persy Bysshe, 34). The assonance makes the poem to be interesting, have a flow and an internal rhythmic meaning. Assonance helps the poem achieve emphasis and cohesion in the word stretch. Conclusion Indeed, the appeal to the senses of the reader by the poem is inexhaustible. Shelley has used imagery broadly to create a vivid image of the features and processes in the poem. She gives the moon immortal characteristics that give nature powers of a human. She uses personification in the poem and ensures that the poem appeals to the senses of the reader through imagery and figurative language.   Some of the personifications includes â€Å"I bring fresh showers for the thirsting flowers,† (stanza 1, line 1), â€Å"I bear light shade for the leaves when laid† (stanza 1, line 3) â€Å"I sift the snow on the mountains below, â€Å"(stanza 2, line 1), â€Å"â€Å"I am the daughter of Earth and Water† (stanza 6, line 1), â€Å"I am the daughter of Earth and Water† (stanza 7, line 1) (Shelley, Persy Bysshe, 34). There are many other personifications that transform the understanding of the reader on actions to assume a human environment. The poem is multiform since it changes its phases from a stanza to another.   Shelley uses a vivid description of the natural phenomena in a personified language that creates imagery to the reader and appeals to the senses of the reader in an interesting manner. The unique style in this poem communicates the theme of the poem in a clear and interesting manner such that the reader is able to relate thing from the beginning to the end. Work cited Liu, Xiaochun. The Master of All Things: The Human Soul in Shelleys Poems. Cross-Cultural Communication 11.4 (2015): 54. Shelley, Percy Bysshe. Shelleys Poetry and Prose. Digireads. com Publishing, 2015. Shelley, Percy Bysshe. The Complete Poems of Percy Bysshe Shelley:(A Modern Library E- Book). modern library, 2013. Shelley, Persy Bysshe. The Complete Poetrical Works. Media Galaxy, 2015. [bookmark: _GoBack]

Alcohol As A Dangerous Deadly Weapon - 1677 Words

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Marketing Strategy for a New Soft drink Product to Be Launched in Asia free essay sample

The new product is called Cheers, a refreshing, ubiquitous, fashionable, value for money lifestyle drink. It promises the benefits of status, thirst-quenching, and easy access. Cheers, a new soft drink product is the identified subject in this strategy paper. It is intended to be marketed and distributed in the different country markets in Asia. It will compete with the established global brands. This is projected to be at par with the premium global brands at a fraction of the price. Its positioning can be summed up thus: an alternative lifestyle drink to rival Pepsi and Coke in Asia, conferring status and thirst-quenching benefits. Also, it comes with a taste tailored to the palate of the local populations. It is sold at a fraction of the cost of similar premium lifestyle soft drinks. As such, it brings the benefit of a value for money drink for cost-conscious Asians aspiring for a modern, hip lifestyle. Explain how you are segmenting the market. Why did you choose this method of customer segmentation Be specific. The company shall explore various segmenting variables. They are based on existing literature on market segments in the region. Kotler et al proposes various such possible segments within a country, in accordance with the proposed method. Common demographic variables such as age, generation, family size, gender and income can apply. Psychographic variables such as lifestyle and personality have also been applied in the region’s population in the past. Behavioral segmentation variables suggested included occasions, benefits, user status, loyalty status, and buyer-readiness (Kotler et al. 1999, p.273).   Intuitively, one can say that the market for soft drinkers in Asia tilt heavily toward the young. One arrives at this conclusion when one looks at the chosen target market of competitive products. I have chosen age, because as a segmenting variable, it can be considered broad and generic enough. It can be easily applied across countries of varying sophistication and level of development. Intuitively also, one can say that the variable is precise enough to be able to define a target market that is a perfect match for the product. Perfect match means that the marketing and sales potential of the product can be realized. Who is the target market? Be specific—use demographics, psychographics (lifestyle), etc to identify your customer. Two things are to be considered in determining the target segment. One, we determine that age is to be the segmenting variable for the exercise. Two, the product is being positioned as a value for money alternative to more established premium soft drink brands such as Coke and Pepsi. Given the two considerations, the logical target segment would be the age bracket being targeted by the direct competitors of the product. For instance, in India the target market for Pepsi and Thums are those in the age group of between 12 and 29 years old (Agencyfaqs! 2002). Given this assumption, we conclude that the target market for the new product should be the same age group of young people across the different countries as Pepsi’s target market. The benefit of Cheers to the target market is that it contains less sugar but perks up one’s energy level. What are your products’ benefits to the target market? The product’s benefits are low price, increased energy, increase image and status and affordable price. And since we are also using the value-based pricing method, we want to base the price on the effective value to the customer relative to alternative products. Thus, the benefit of the product will be a lower cost even to the younger populace. At what price will your product be introduced? Why?   My product will be introduced at $0.65 because it is worth its value in quality. We are also aware that customers are price-sensitive and we are sure that the quantity demanded will increase significantly if the introductory price is affordable. Also, we have packaged the product such that it will gain mass appeal fairly quickly. What pricing strategy are you using? Why? I am using a promotional discount strategy because this is the one the company is able to give at the start. When dealers get a big bulk, they get a promotional discount of up to 20 percent. This way, they are encouraged to promote the product the fastest way possible because they know that they can get additional cash discounts if they are able to sell a huge volume. What objectives will be accomplished by using this strategy? Be specific. Pricing objectives that will be accomplished by using this strategy is the current profit maximization that the company will badly need in rolling out the product successfully in the market. This is because the company wants to maximize current profit, taking into account revenue and costs. The pricing objective of maximizing quantity will also be accomplished because we want to maximize the number of units sold and the number of customers served so that just in case we lower the price later, this will be a buffer to the company. Why is the product worth this price? The product is worth this price because it is in keeping with the aura of class and elite, and at the same time, being equally available to the lower class market. It will also be competitive with the current prices of other soft drinks in the market. Identify and explain what prices you should charge at each stage of the PLC? In the case of Cheers soft drink, the product life cycle model identifies the market phases that products may go through during their life times. These are the Introduction stage, Growth, Maturity, Decline and Termination. During the Introduction Stage or the New Product Development Stage, it is recommended that a minimum introductory price be charged. It is during this stage that the dominant strategic concerns are with product development (R D), finding customers (marketing) and paying for start-up, expansion and marketing programs (finance).   It is recommended that a $.65 charge be given per bottle. Marketing here is aimed at educating potential customers about the product rather than pointing out product differences or building identity for the firm’s product. In the Market Introduction Stage, new distribution channels will then be sought like getting Walmart to carry the product. Marketing activity tends to remain at a high level. However, the nature of marketing changes from educating consumers to an emphasis on product differences and brand identity. One competitor’s sales growth does not have to come at the expense of the other and new competitors. However, as a business’s sales increase, the market share of any one competitor is likely to decline. In the Growth Stage the firm shall seek a competitive advantage by lowering prices. Significant price cuts may further stimulate product demand. During the Maturity Stage of Cheers, a major strategic issue is the need to reduce per unit costs. Cost cutting may involve closing plants or eliminating levels of management, and automating. One strategy for Cheers is to maintain or even try to increase market share at the expense of competitors. Pricing is likely to be more competitive. The pricing here will be set at about $.60 since distribution to a large number and a wide range of customers may be crucial during the maturity stage, particularly if a competitive advantage is difficult to achieve through either lower per unit or product differentiation. During the Decline phase of the product, there will now be a more strategic emphasis on efficiency (reduced costs per unit) continues to be strong. This effort may be associated with reducing capital investment, rather than holding it steady. Here, the price will be $.55 since at this stage, product options and variations often are standardized and their number reduced. Efforts will now be made to improve marketing efficiency. In the Termination Stage, product availability may be reduced sharply. Correspondingly, the price will be reduced and even promos will be given out. References Agencyfaqs! 2002. Thums Up: The Journey from ‘Old to ‘Grown Up.   Agencyfaqs news and features Accessed 5 Sept. 2006 at http://www .agencyfaqs.com/news/effie/effie_thumsup.html Kotler, Philip, Ang, SH, Leong, SM, Tan, CT, 1999. Marketing Management: An Asian Perspective. Prentice Hall Pte Ltd., Singapore.

The Qualms Of Communication Essay Research Paper free essay sample

The Qualms Of Communication Essay, Research Paper # 8220 ; He neer talks to me! # 8221 ; That phrase is the most common ailment that adult females have about work forces. The communicating procedure between work forces and adult females has long been an involvement for many people. The manner we speak and why we speak that manner have prompted diverse sentiments from assorted writers over the old ages. Deborah Tannen is one such writer. Tannen, who has a doctors degree in linguistics, is a professor at Georgetown University. She has been analyzing the manner people communicate and the jobs they have pass oning with each other for many old ages. Her surveies inspired her to compose several books on the topic. The extract? Put Down That Paper and Talk To Me, ? which appears in the text edition Writing the World, was taken from her best-seller You Just Wear? t Understand: Womans and Men in Conversation, written in 1991. We will write a custom essay sample on The Qualms Of Communication Essay Research Paper or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Deborah Tannen believes work forces and adult females talk otherwise because they are raised in two different colloquial civilizations and that jobs arise because of colloquial manner. She thinks that male childs are taught to talk like work forces and misss taught to speak like adult females. In the essay Tannen addresses many of the scruples of communicating, based upon her legion surveies, that she believes proves work forces and adult females truly are taught to speak a certain manner. Deborah Tannen has been analyzing how people communicate with each other and she believes it starts at a really early age. Get downing when we are really immature, we communicate really otherwise. On a telecasting show titled? She Said, He Said, ? Tannen showed some picture entering on a survey of hers that had two same-sex kids enter a room and sit and speak to each other. She performed this same survey on changing ages of kids from 5 to 16 and in every instance the consequences were the same. She found that the male childs would sit side by side and would talk about distractedly, while looking about the room. The misss would come in the room, place their chairs confronting each other, and would talk looking straight at each other. To Tannen, this survey showed how males do non speak with much familiarity. Their relationships are held together by executing activities in a group, such as athleticss or political relations. She believes work forces speak when they feel a demand to affe ct or if their societal position is in inquiry. The females nevertheless, spoke with much more intimacy. Tannen says, ? For females, talk is the gum that holds their relationships together. ? Womans are dependent emotionally and hence depend on their best friends and the familiarity they provide to each other. In her book Tannen describes the manner males and females talk with the footings? report-talk? and? rapport-talk. ? She says that work forces talk in? report-talk? which means that they are speaking chiefly to portion information. They besides use talking as a manner to continue their independency, negotiate their relationships, and expose their cognition. Harmonizing to Tannen, work forces utilize speaking chiefly as a manner to acquire and maintain the attending. Tannen believes the manner adult females speak is through? rapport-talk. ? She thinks that adult females are talking to set up connexions wi th each other, normally based on similar experiences. In her sentiment, adult females are talking chiefly for interaction intents instead than to portion information. Tannen besides uses the phrases? public speech production? and? private speaking. ? Tannen suggests that work forces communicate more and are more comfy while making? public speaking. ? In her surveies, Tannen found that work forces speak more often and for a longer period of clip than adult females in a concern or meeting-type scene. Tannen believes that adult females are more comfy making? private speech production? because they are free to speak with person who they feel near to without worrying about how their talk will be judged. On the phone or chew the fating with friends is when Tannen believes adult females are most at easiness while discoursing. Bing a well-known writer, Tannen has her just portion of critics. Tannen? s beliefs of being raised in separate colloquial civilizations has sparked much unfavorable judgment from her critics, among them Katha Pollit, a editorialist for the Nation, and Senta Troemel-Ploetz, who besides holds a Ph.D. in linguistics. They believe that Deborah Tannen? s account of how work forces and adult females communicate is backing what they call? difference feminism? instead than? equality feminism, ? which is what they support. Katha Pollit wrote an essay in 1992 entitled? Are Women Morally Superior To Men? ? In her essay, Pollit criticizes Tannen for being a? difference womens rightist, ? which means to believe that work forces and adult females are basically different instead than believing our economic and cultural systems discriminate against adult females. ? Equality womens rightists? believe that everything should be equal. Pollit believes that difference womens rightists are back uping the thought that adult females are superior to work forces because of their capacity for empathy, nurturing, and nonhierarchical relationships. She believes that Tannen and others are allowing work forces off the hook by allowing them control power, wealth, and societal resources because work forces think that adult females do non desire them. Another one of Tannen? s critics, Senta Troemel-Ploetz, accuses Deborah Tannen of disregarding the possibility that work forces and adult females communicate otherwise because of differences of power. Troemel-Ploetz contends that the job goes beyond colloquial manner. She believes that Tannen wholly misses the power-struggle between the two sexes in the ways that they speak. She believes that society is giving work forces excessively much power in speech production and basically how people are taking their lives. Tannen? s advice on how to work out communicating jobs is chiefly merely to understand the differences in the manner we speak. Tannen says, ? Many work forces candidly do non cognize what adult females want, and adult females candidly do non cognize why work forces find what they want so difficult to comprehend and deliver. ? Men and adult females are different so of course we will act and speak otherwise. Since we start pass oning at a immature age Tannen believes we are raised to talk in separate universes by a combination of cultural and biological influences, and if we can better understand our differences, we can work out many of the scruple of communicating.

The Signalman by Charles Dickens and The Landlady by Roald Dahl Essay Example For Students

The Signalman by Charles Dickens and The Landlady by Roald Dahl Essay The Signalman is a short story from the author Charles Dickens and was written in the mid 19th Century; The Landlady is also a short story written by Roald Dahl. The Signalman is a ghost story and The Landlady is a mystery story; however, there are many similarities that the two stories show. At the start of The Signalman there are many things that seem strange. The signalman from the very opening is peculiar; his actions, such as how he looks at the narrator with fixed attention and how he doesnt even acknowledge him, is far from seemingly normal behaviour. We will write a custom essay on The Signalman by Charles Dickens and The Landlady by Roald Dahl specifically for you for only $16.38 $13.9/page Order now The description of the train approaching the tunnel is also strange. The train is said to have had the force to draw me down, implying a supernatural presence right from the start. The opening of The Landlady, however, is quite different. Everything at the start seems to be perfectly normal that is except Billy Weaver who is already shown by Dahl to be very naive. One key thing in the opening is the appearance of Bath itself. Baths seems to be a place with no character, as when being informed about the houses we are told they are: all of them identical -, giving no individuality or character to the city. The city seems old and run-down shown by how the paint was peeling from the woodwork on their doors and windows, and that the handsome white facades were cracked and blotchy from neglect. The overall view we receive of Bath is that it is simply dead, which is a direct link to The Signalman; this is except for the Bed and Breakfast. The inside of the Bed and Breakfast contrasts dramatically with the outside as Billy looks in. It seems warm and comfortable with the flowers, the bright fire and the pretty little daschund, which we later discover to be a great misconception on ours, and Billys, behalf. The outside, which seems dead, is completely different to the inside of the Bed and Breakfast, which is full of life with the flowers and the animals. The Signalman brings the reader to an appearance of death and gloominess, which is the environment in which everything in the story happens. The Landlady creates a false sense of reality with the Bed and Breakfast seeming very different from what is actually the case. The Signalman is set in a dark, gloomy, damp place. The position is very isolated in a deep trench. The only way down is along an unusually precipitate path made of clammy stone, which became oozier and wetter as I went down. The narrator describes the place to be the most solitary and dismal place I ever saw. As the narrator went down further along the path he became aware of an earthly deadly smell that was because the region never saw sunlight, the source of all life. The further the narrator passed down the path the more it seemed to be an unnatural world. The picture that we, the reader, imagine from the description is very much like a grave; very fitting as both that, and the story itself, is involved with death. The Landlady is set in a major city, but not at all one full of life. Again this story is set at night. The air is said to be deadly cold with the wind like a flat blade of ice on Weavers cheeks. Here there is an impression of pain from the cold wind but there is also pain in the signalman with how he suffers greatly with what happens. The contrast comes only when we see the Bed and Breakfast, which is completely different. Both of the stories are set in isolated places with the entire story of The Signalman being set in the signal box and the surrounding valley, and The Landlady being set mainly in the house. Isolation is a very important part to both stories as it is a key factor in most ghost and mystery stories, the two genres to which these belong. Both The Signalman and The Landlady have very themes to the stories, beyond what we actually see. In The Signalman the main theme is showing us the effect that isolation has on someone. Through the character of the signalman, Dickens shows us the fear and haunting someone can undergo when away from the rest of the world. Dickens also looks upon fate and destiny throughout The Signalman and the idea that we cant do anything about what has already been decided for us. In The Landlady Dahl is also focussing on isolation but not in the same way as Dickens. Here we are the ones that experience the fear for what may happen to Weaver, but the character himself is completely unaffected. .ube5434f6c113e83b8ad896f48a18b043 , .ube5434f6c113e83b8ad896f48a18b043 .postImageUrl , .ube5434f6c113e83b8ad896f48a18b043 .centered-text-area { min-height: 80px; position: relative; } .ube5434f6c113e83b8ad896f48a18b043 , .ube5434f6c113e83b8ad896f48a18b043:hover , .ube5434f6c113e83b8ad896f48a18b043:visited , .ube5434f6c113e83b8ad896f48a18b043:active { border:0!important; } .ube5434f6c113e83b8ad896f48a18b043 .clearfix:after { content: ""; display: table; clear: both; } .ube5434f6c113e83b8ad896f48a18b043 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ube5434f6c113e83b8ad896f48a18b043:active , .ube5434f6c113e83b8ad896f48a18b043:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ube5434f6c113e83b8ad896f48a18b043 .centered-text-area { width: 100%; position: relative ; } .ube5434f6c113e83b8ad896f48a18b043 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ube5434f6c113e83b8ad896f48a18b043 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ube5434f6c113e83b8ad896f48a18b043 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ube5434f6c113e83b8ad896f48a18b043:hover .ctaButton { background-color: #34495E!important; } .ube5434f6c113e83b8ad896f48a18b043 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ube5434f6c113e83b8ad896f48a18b043 .ube5434f6c113e83b8ad896f48a18b043-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ube5434f6c113e83b8ad896f48a18b043:after { content: ""; display: block; clear: both; } READ: Maggie Girl of the Streets Huck Finn - Family Life EssayBoth of the stories also have the theme of the unknown, and also death, but are very different from one another; in The Signalman the unknown is in the spectres appearances and what they mean, where in The Landlady the unknown is with why there have only been three guests in total and also with what is going to happen to Weaver. From the two different stories we are shown that fear is clearly something in the mind; with how we see things in The Landlady without any actual evidence to substantiate our views, and with how the visitor sees things in the story compared with the signalman. The characters in The Signalman are vital for the story. The signalman is shown to be a very strange character right from our opening introduction to him. His behaviour with how he expectantly looked down the line, and how he ignores our narrator initially, then when he does turn to our narrator he stares at him with fixed attention but doesnt speak is hardly what could be considered to be normal behaviour. He seems to be very distant and mysterious. When the narrator sees him he seems a dark sallow man, someone whose entire features are dark, with how the narrator describes him to have a dark beard and rather heavy eyebrows creates tension. However, despite theses strange qualities, he seems to be a very reliable person who is worthy of great credibility and is excellent at his job. His brightness is clear as he has taught himself a language but we are also told that he struggles with other things such as figures. The most important thing we see about his character is how dedicated he is to his job. He is definitely a credit to the company from what we see. The visitor, our narrator, is a very inquisitive person; this is clear by how he initially goes down to the signal box. He is also a very caring person, shown with how he thinks about the narrator and what is best for him. However, he is also very responsible with how he is worried about the signalmans state of mind for the safety and well being of others. He is rational and punctual but apart from this we know very little about him apart from it seems that he is not from around the area. The characters in The Landlady are very different from those in The Signalman. Billy Weaver is an eager and enthusiastic young man, who is also very gullible and naive. This is clear from his ridiculous idea on briskness being the way to success, which is very humorous to us, the reader. His naivety is also shown with how he doesnt suspect anything with the landlady. The landlady is a very strange character, but not at all in the same way as the signalman. Her behaviour is very irrational. Her attitude could simply be considerate and caring but we dont see this as being the case and rather see it as a false front. In fact we know very little about this, but this only adds to the mystery of the story. The styles of the two writers also differ. Dickens uses great descriptive passages throughout the story. He also uses vivid imagery, such as how he describes the setting of the story to be a tomb or a grave both of which are a direct link to the events in the story. ie. Death. Dickens also uses metaphor in his descriptions a great deal, such as great dungeon. Between the two characters there are great contrasting views, which Dickens has incorporated to give us all possible views of the situation. Dahl, on the other-hand, focuses his style of writing in this piece on humour and dramatic irony. He brings the naivety of Weaver through to add to the humour and irony of each of the little pieces of revealed evidence throughout. He also shows everything from two sides. He gives great misconceptions throughout the story leaving us guessing at many things; perfect for a mystery story. In The Signalman the dialogue that Dickens uses between the characters expresses how the signalman is feeling, however, he more clearly shows this with the body language of the character. .u71a3cb8ca4ef24ec6955411260efc4d9 , .u71a3cb8ca4ef24ec6955411260efc4d9 .postImageUrl , .u71a3cb8ca4ef24ec6955411260efc4d9 .centered-text-area { min-height: 80px; position: relative; } .u71a3cb8ca4ef24ec6955411260efc4d9 , .u71a3cb8ca4ef24ec6955411260efc4d9:hover , .u71a3cb8ca4ef24ec6955411260efc4d9:visited , .u71a3cb8ca4ef24ec6955411260efc4d9:active { border:0!important; } .u71a3cb8ca4ef24ec6955411260efc4d9 .clearfix:after { content: ""; display: table; clear: both; } .u71a3cb8ca4ef24ec6955411260efc4d9 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u71a3cb8ca4ef24ec6955411260efc4d9:active , .u71a3cb8ca4ef24ec6955411260efc4d9:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u71a3cb8ca4ef24ec6955411260efc4d9 .centered-text-area { width: 100%; position: relative ; } .u71a3cb8ca4ef24ec6955411260efc4d9 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u71a3cb8ca4ef24ec6955411260efc4d9 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u71a3cb8ca4ef24ec6955411260efc4d9 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u71a3cb8ca4ef24ec6955411260efc4d9:hover .ctaButton { background-color: #34495E!important; } .u71a3cb8ca4ef24ec6955411260efc4d9 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u71a3cb8ca4ef24ec6955411260efc4d9 .u71a3cb8ca4ef24ec6955411260efc4d9-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u71a3cb8ca4ef24ec6955411260efc4d9:after { content: ""; display: block; clear: both; } READ: Conan Doyle EssayBeing the first person narrative there is effective dialogue when the narrator is conveying his ideas to us directly; due to this style of approach, we can begin to visualise how we would feel in the same scenario. Quite simply because of the way the narrative is put to us we see things on a far more personal level than if it was simply a third person overview of events. We also believe what we are told more readily but also question far more, as we question our own feelings. Dahl uses dialogue excellently in The Landlady. With how things are said, by the landlady especially, it leads us to see two sides of everything. Being in the 3rd person narrative we can simply laugh at the character of Weaver with how ridiculous he is. But, also, due to this style of writing, we begin to see all side to the story because of it being an overview. However, Billy is also quite an engaging character. Partly due to how naive he is, but also how eager and responsible he is, we begin to relate to the character as we too could put ourselves in the situation as we know little more about the Landlady than he. Dickens creates suspense by giving us dramatic pieces of information, which have no meaning on their own but serve to keep our attention and interest and also gradually build up the whole picture. The suspense in the story starts at the opening descriptions of the setting, and then the character of the signalman and his story, as we begin to build up a picture and gain an understanding of everything but cant; it end partly when we are told the complete story on the second night but only completely when the signalman dies as then we understand more about the spectre. Dahl, however, creates suspense because of the view we have of what could have happened to the previous two guests and what could be slowly happening now to Weaver. The suspense basically starts from when she opens the door but especially from when we learn that there have been only two other guests previous to that night. There is a great feeling of suspense we feel about the bitter almond taste to the tea. Dahl keeps the mystery going right through to the end, as without us knowing what is going to happen to Billy the suspense doesnt go. Certain qualities of the plots of the two stories are the same: they both involve the unknown, death, both stories happen at night, and both involve unexplainable occurrences, or events. In The Signalman, Dickens looks at the supernatural with the connection between the spectre and the deaths of the different people. It also looks at the fact of believing people when there is no reason to do so. The Landlady has a very sinister plot but doesnt have nearly as much depth as The Signalman. Therefore, I think the plot of The Signalman is more effective as with having more depth is more interesting to read. The ending of The Signalman wasnt at all what I expected to happen because before that point nothing had happened to the signalman himself. The ending is very dramatic and the link between what the narrator says in the first line of the story to what the train driver was shouting is excellently thought out. However, I believe Dickens made a mistake with the final paragraph, as quite simply it just isnt needed. Dahls ending to The Landlady is excellent for a mystery story as it is left completely open. We are left to guess at the end and make our own conclusions, as we have done throughout the story. Due to this, we also question ourselves as there is still no evidence to substantiate our claims of sinister happenings we see occurring. In conclusion I prefer The Signalman by Dickens as it has a better storyline and plot. His use of style, language, and dialogue are also excellent and add greatly to the story. The characters have been expertly created and elaborated upon through the events of the story. One of the biggest reasons I prefer Dickens story to that by Dahl is because of the themes it looks at and how it makes us question ourselves and our own views and so many things, and not just those looked at in the story.

Why Spanish Uses EE. UU. as Abbreviation for U.S.

Why Spanish Uses EE. UU. as Abbreviation for U.S. Once you learn that Estados Unidos is Spanish for United States, you might predict that its abbreviation would be EU, just as we often use U.S. (or USA) in English. But the standard abbreviation is EE. UU. The Rule for Plural Abbreviations Although the abbreviation may seem unusual to Spanish students, abbreviations like it are common in standard written Spanish when shortening plural forms. Although the use of the periods in the abbreviation is standard usage and considered mandatory by some authorities, it isnt unusual to see the abbreviation without the periods: EEUU or EE UU. Sometimes the abbreviation EUA (for Estados Unidos de Amà ©rica) is used, and even USA can be found in trendy circles. Basically, the doubled letters (such abbreviations are called abreviaturas dobles in Spanish) are used to indicate that the main word abbreviated is plural. However, such a doubling of letters isnt if the plural word isnt the main noun in the phrase. For example, Organizacià ³n de las Naciones Unidas (United Nations) is ONU (U.N. in English.) The main noun here, the one that gives the phrase its gender, is singular: organizacià ³n. The doubling of letters comes from Latin, which explains some of the double-letter Latin abbreviations used in English also, such as pp. for pages and mss. for manuscripts. Identical abbreviations are used in Spanish: pp. for pginas and mss. for manuscritos. (Also commonly used is pgs. for pginas.) Such doubling is used typically when a single letter stands for a word. It isnt used used for most other abbreviations. For example, while ejemplo (example) can be abbreviated as ej., the plural form (that is, for examples) is ejs. Similarly, while usted (singular you) is abbreviated Ud., its plural form (plural you) is Uds. One of the exceptions is that the abbreviation for Buenos Aires (the city in Argentina) is Bs. As. Other Doubled Abbreviations Here are some of the other Spanish abbreviations that double the letters in the same way as EE. UU.: AA. PP. for Administracià ³n Pà ºblica (public administration)aa. vv. or AA. VV. for autores varios (various authors); VV. AA. and vv. aa. are also usedAA. VV. for asociaciones de vecinos (neighborhood associations)CC. AA. for comunidades autà ³nomas (self-governing communities)CC. OO. for comisiones obreros (labor commissions)DD. HH. for derechos humans (human rights)FF. AA. for Fuerzas Armadas (armed forces, used in Spanish and several Latin American countries)FF. CC. for ferrocarriles (railways or RR)FF. DD. for Fuerzas de Defensa (Defense Forces, used primarily in Panama)RR. HH. for Recursos Humanos (human resources or HR)RR. PP. for Relaciones Pà ºblicas (public relations or PR)JJ. OO. for Juegos Olà ­mpicos (Olympic Games)RR for reverendos (Reverends, Revs.)ss. for por siguientes (as follows, the following)SS. AA. for Sus Altezas (Your Highnesses)SS. HH. for Servicios Higià ©nicos (sanitary facilities, such as restrooms)SS. MM. for Sus Majestades (Your Majesties) Other Unusual Abbreviations Spanish also has a few common abbreviations that use punctuation (other than the period) or superscripts in ways that English doesnt. The more common ones are listed below; in many cases, more conventional forms are often used in addition to these. arto  for  artà ­culo  (article in legal documents)Bo  for  barrio  (neighborhood)Cà ­a  for  compaà ±Ãƒ ­a  (company)c/u  for  cada uno  (apiece, per unit)com.à ³n  for  comisià ³n  (commission)desct.o  for  descuento  (discount)N.a  S.a  for  Nuestra Seà ±ora  (Our Lady, referring to the Virgin Mary)s/f  for  sin fecha  (no date given)s/l  for  sin lugar  (no place given)s/n  for  sin nà ºmero  (no number given) Additionally, there are some forms such as  Abg.da  and  Dr.a  that have been used to refer to a female lawyer or doctor, respectively, although these are growing in disfavor. Key Takeaways The standard abbreviation for Estados Unidos (United States) in Spanish is EE. UU., although variations are sometimes used.The double letters are used in some other abbreviations as well when a single letter standards for a plural of the main noun.Some Spanish abbreviations use slashes and superscripts.

The impact of american TV series 'Gossip Girl' on young adult females Essay - 1

The impact of american TV series 'Gossip Girl' on young adult females (consumerism, product placement, luxury lifestyle) - Ideol - Essay Example With more access to social media and exposure to advertisements, today’s youth are receiving overwhelming amount of information. Besides leisure choices, Television is moulding their day-to-day preferences and trying to influence them to adopt a certain unrealistic lifestyle as they view in their favourite TV series. Another major theme is unhealthy influence of media on the health and personality building decisions. Be it an attempt to follow an unhealthy lifestyle, acting like an adult or having an access to recent branded goods, there is a constant comparison between real lives and what is being portrayed on the TV (Toffoletti 2008, pp.72-5; McRobbie 2008, pp.534-42). On the contrary, these TV shows provide an opportunity to view how certain characters exhibit an ideal behaviour in difficult situations which can be learned by the audience (Hill 2011, pp.354- 357). Consumerism has affected spending patterns and buyer’s behaviours significantly all around the globe. Th e era’s prominent brands occupy major market share by strategizing techniques that appeal to the youth. This is in spite of buyers’ prior awareness of the fact that advertisements only show the brands that they want viewers to buy. The effort to induce positive perception in the consumers is so overwhelming that it has a tendency of affecting decisions of even the most knowledgeable buyers (Romeo 2009, pp.18-25). The Television sector is not far behind in this race and they also strive to increase their viewership. Television is a powerful medium that reaches billions of viewers on a daily basis (Turow 2005, pp.105-113). Trends introduced through this medium affect millions of young viewers on daily basis (Spalding, 2010). An upcoming trend that continues to gain prominence over traditional television commercials is marketing brands in television series or movies; whereby, big corporations avail their products to actors in a television series as part of costume and dec or as a marketing strategy as is the case in the TV series Gossip Girl. The TV series is based on a best-selling series of novels written by Cecily von Ziegesar about the tumultuous life of Manhattan's Upper East Side's elite young adults. The main themes in the TV series revolve around the love life, relationships, deceit, rivalry, power, and money together with luxury lifestyle of the main characters. The series, created by Josh Schwartz and Stephanie Savage, was first premiered on The CW in late September, 2007 (Spalding, 2010, p.3-67). Although, researches done by Turow (2005, pp. 105-113) and Saplding (2010) illustrate how TV, especially sitcoms, affect behavior and preferences of consumers; Keum et al. (2004, pp. 372-391) present a different opinion by saying that media creates social consciousness and status consciousness which leads to spurring an awareness of the social responsibilities associated with consuming and a pursuit of status-oriented lifestyles. These researchers were of the opinion that the shift in social and status consciousness occurs as a result of viewers’ obsession with emulating the behaviours and attitudes portrayed with the characters they hold in high esteem. This approach infers that TV series such as Gossip Girl plays a role in influencing viewers’ social and status consciousness, which in turn affects their attitudes and behaviours with regard to lifestyle and consumer choices. For example,